You have a rare wealth of creative potential lurking deep within, but until now no guitar has had the power to fully tap into it. Enter the Dusk Tiger, simply the most astounding innovation in the history of the guitar. In the wake of Gibson’s groundbreaking Dark Fire, the new Dusk Tiger offers an unprecedented wealth of features to expand your sonic horizons exponentially, yet it brings them to you with greatly increased levels of performance and ease of use, and all at a more affordable price. And not only does Dusk Tiger offer an awe-inspiring versatility of tone and playability, it also captures a stunning new look that is arguably more refined than anything Gibson has ever produced. It retains the general Les Paul-inspired body lines, but presents them in a guitar with a flat top made from an exotic hardwood beaming with golden, amber, and dark chocolate hues. This top is coupled with a tone-chambered back, and a unique new pickguard and control layout. Under the hood, the Dusk Tiger reveals countless new features that give it even more power, along with considerable upgrades and improvements of existing electronics and control systems, and an unlimited number of sound possibilities. New to the Dusk Tiger are:
Programmable active four-band parametric EQ systems for both the magnetic and the piezo pickups, which allow infinite fine tuning of your tone
Switchable LP-Z High Definition Impedance circuit (low impedance capabilities) built into improved Neutrick jack with both ¼” and XLR outputs
And much, much more…
For the latest news on what is to become a moment in music history, check out these forum posts on gibson.com and Harmony Central.
Source:http://www.gibson.com/en-us/Lifestyle/Features/gibson-dusk-tiger/
Wednesday, February 17, 2010
Gibson Electric Guitar [50th Anniversary 1960 ES-335TD]
50th Anniversary 1960 ES-335TD
In the late 1950s, Gibson was boldly pushing the envelope on electric guitar design. The effort resulted in several models that were just too far ahead of their time to sink in with players of the day—the Flying V and Explorer being cases in point — and were gone from the catalogue by 1960. The ES-335 however was an instant classic, embraced by blues, rock, country and jazz players the world over. By 1960, this model was really hitting its stride though it was certainly a year of transition for the iconic model.In the beginning of 1960, the ES-335TDs were built to the same specs as the 1959 versions and were offered in only Natural and Sunburst finishes. By about midyear, neck specs began to change to a thinner and more elliptical feel and ultimately, production of the Natural ES-335TD would cease and the Cherry finish would take its place in the latter part of the year. It is this later version that many argue the 1960 ES-335TD’s features had settled into their optimum form. With a fast new neck profile, striking new “insert” or “reflector” tone and volume knobs, the ES-335TD still retained early-spec details such as the dot fingerboard inlays, a kind of “Mickey Mouse” double cutaway profile, full-length maple centerblock, and nickel-plated hardware that players have long seen as indicative of the model’s zenith. All these and more are brought back to life in the Custom Shop 50th Anniversary 1960 ES-335TD, a reincarnation of one of the most legendary semi-hollow electric guitar of all time, handcrafted by Gibson Custom’s Memphis division to celebrate the model’s “golden anniversary”. For this celebration, Gibson Custom is offering the later 1960 “fast neck profile” version, the most unique of the year, and is available in Antique Vintage Sunburst, Antique Faded Cherry or Antique Natural finish, all aged in Gibson’s acclaimed VOS (Vintage Original Specs) process, and loaded with period-correct hardware including “insert” volume and tone knobs, double band tuners and a pair of accurate PAF-style 57 Classic humbucking pickups. Additionally the neck features a holly head veneer, tortoise shell side dot material and has been completely re-tooled with accurate truss rod channel depth and profile based on scans by the Gibson Custom Shop Engineering Team. The Custom Shop 50th Anniversary 1960 ES-335TD is the closest today’s player can come to obtaining the look, feel and tone of an original dot-neck 1960 ES-335TD, short of remortgaging the house and sinking the kids’ college fund on the venture.
In the late 1950s, Gibson was boldly pushing the envelope on electric guitar design. The effort resulted in several models that were just too far ahead of their time to sink in with players of the day—the Flying V and Explorer being cases in point — and were gone from the catalogue by 1960. The ES-335 however was an instant classic, embraced by blues, rock, country and jazz players the world over. By 1960, this model was really hitting its stride though it was certainly a year of transition for the iconic model.In the beginning of 1960, the ES-335TDs were built to the same specs as the 1959 versions and were offered in only Natural and Sunburst finishes. By about midyear, neck specs began to change to a thinner and more elliptical feel and ultimately, production of the Natural ES-335TD would cease and the Cherry finish would take its place in the latter part of the year. It is this later version that many argue the 1960 ES-335TD’s features had settled into their optimum form. With a fast new neck profile, striking new “insert” or “reflector” tone and volume knobs, the ES-335TD still retained early-spec details such as the dot fingerboard inlays, a kind of “Mickey Mouse” double cutaway profile, full-length maple centerblock, and nickel-plated hardware that players have long seen as indicative of the model’s zenith. All these and more are brought back to life in the Custom Shop 50th Anniversary 1960 ES-335TD, a reincarnation of one of the most legendary semi-hollow electric guitar of all time, handcrafted by Gibson Custom’s Memphis division to celebrate the model’s “golden anniversary”. For this celebration, Gibson Custom is offering the later 1960 “fast neck profile” version, the most unique of the year, and is available in Antique Vintage Sunburst, Antique Faded Cherry or Antique Natural finish, all aged in Gibson’s acclaimed VOS (Vintage Original Specs) process, and loaded with period-correct hardware including “insert” volume and tone knobs, double band tuners and a pair of accurate PAF-style 57 Classic humbucking pickups. Additionally the neck features a holly head veneer, tortoise shell side dot material and has been completely re-tooled with accurate truss rod channel depth and profile based on scans by the Gibson Custom Shop Engineering Team. The Custom Shop 50th Anniversary 1960 ES-335TD is the closest today’s player can come to obtaining the look, feel and tone of an original dot-neck 1960 ES-335TD, short of remortgaging the house and sinking the kids’ college fund on the venture.
Friday, February 12, 2010
Dean ® Dave Mustaine Signature VMNT Electric Guitar
Dave Mustaine Signature V from Dean Guitars. Though that might say it all, you should also know that this beast comes loaded with screaming Dave Mustaine Live Wire USA custom active humbuckers, and Dunlop flush mount straplocks. With its beveled edges, this V really looks like it can fly. Mustaine remarks that this guitar's neck is even better than what he has played before, and that the deluxe inlays, which are like a dot/sharktooth combo, are remarkable.
Monday, February 8, 2010
Johnson ® Songwriter Series II Jumbo
Songwriter Series II Jumbo
The Songwriter Series II is one of the most affordable, best sounding solid top acoustic guitars available. This guitar features a solid Sitka spruce top that's perfect for a wide range of tones and arguably keeps sounding better with age.
The jumbo model has a larger lower bout that increases the warmth of the bass while also accentuating the mid-range frequencies for an excellent, even tone. This guitar comes with mahogany back and sides, mahogany neck, herringbone body binding and a herringbone rosette.
The Songwriter Series II is one of the most affordable, best sounding solid top acoustic guitars available. This guitar features a solid Sitka spruce top that's perfect for a wide range of tones and arguably keeps sounding better with age.
The jumbo model has a larger lower bout that increases the warmth of the bass while also accentuating the mid-range frequencies for an excellent, even tone. This guitar comes with mahogany back and sides, mahogany neck, herringbone body binding and a herringbone rosette.
Johnson ® Trailblazer Deluxe Travel Guitar
Perfect for travel or practice, Johnson proudly brings you the solid spruce top Trailblazer Deluxe travel guitar.
The Trailblazer Deluxe makes it easy to sound great anywhere. With the classic, natural sound you can only get from solid spruce in a portable package, this guitar is ready to go wherever the muse takes you. With a full-size 24-3/4” scale length, the Trailblazer Deluxe gives players the same comfort and playability as a full-size dreadnought, but in a travel-friendly package.
With 22 frets and a rosewood fretboard, the Trailblazer Deluxe has a familiar feel, like that of a standard sized guitar neck. Many players may have avoided choosing a travel guitar because of their concern that travel guitars, with smaller body shapes often sound thin with very little bass. Thanks to the Trailblazer’s carefully designed body, solid spruce top, mahogany sides and arched mahogany back, the Trailblazer Deluxe gives players on-the-go the same robust, warm sound as a traditional dreadnought.
The Johnson Trailblazer Deluxe comes complete with its own carrying bag, so players will be ready to travel with it anywhere easily and comfortably.
The Trailblazer Deluxe makes it easy to sound great anywhere. With the classic, natural sound you can only get from solid spruce in a portable package, this guitar is ready to go wherever the muse takes you. With a full-size 24-3/4” scale length, the Trailblazer Deluxe gives players the same comfort and playability as a full-size dreadnought, but in a travel-friendly package.
With 22 frets and a rosewood fretboard, the Trailblazer Deluxe has a familiar feel, like that of a standard sized guitar neck. Many players may have avoided choosing a travel guitar because of their concern that travel guitars, with smaller body shapes often sound thin with very little bass. Thanks to the Trailblazer’s carefully designed body, solid spruce top, mahogany sides and arched mahogany back, the Trailblazer Deluxe gives players on-the-go the same robust, warm sound as a traditional dreadnought.
The Johnson Trailblazer Deluxe comes complete with its own carrying bag, so players will be ready to travel with it anywhere easily and comfortably.
Saturday, February 6, 2010
New !! Album Sound Last Group
Thursday, February 4, 2010
Record Last Group
my way has gone out music group or record last way my group is known that , forset song , but I am not sure that , will come back do is this works again ? but , guitar information will don't disappear because I will send word to come to give.
Signed Strat Fetches Record $2.8M at Auction Rocker Bryan Adams to donate proceeds to tsunami-torn Asia
An autographed Fender Stratocaster® guitar auctioned off on Nov. 16 in the tiny Middle Eastern kingdom of Qatar fetched an astounding $2.8 million, shattering the previous world record for a guitar sold at auction.Auctioning the guitar was the work of internationally acclaimed Canadian songwriter/musician/photographer Bryan Adams and Fender Europe Artist Relations Manager Jamie Crompton, who both wanted to find a way to raise money for Asian disaster relief in the wake of last year’s deadly Indian Ocean tsunami. The buyer was Her Highness Sheihka Miyyassah Al Thani, heir to the throne of Qatar and chairwoman of Reach Out To Asia, a fund-raising campaign dedicated to supporting numerous relief efforts on the Asian continent, with a special focus on promoting global responsibility for basic, quality education to children and adults throughout Asia and the Middle East.The previous world-record price for a guitar sold at auction was held by Eric Clapton’s famous “Blackie” Stratocaster, which went for $959,000 at Christie’s in New York on June 24, 2004.The auction was part of that evening’s gala charity dinner at the Ritz-Carlton hotel in Doha, the inaugural event in Reach Out to Asia’s planned yearlong campaign of high-profile fund-raising events for the 10-year (2005-2015) Fund For Asia. Adams and members of the Qatari royal family were joined by guests including former U.S. President Bill Clinton, British entrepreneur Richard Branson, Belgian cycling legend Eddy Merckx, actor Jet Li and CNN presenter Richard Quest.“I decided to launch a fund-raising event to benefit those who had been affected by the disaster,” said Adams, who also gave a short performance at the event. “I asked my peers to sign one single guitar, which could be auctioned in aid of the cause, with the guitar acting as a kind of symbol of hope and solidarity.”Early in 2005, Adams, acting under the banner of his own Tsunami Guitar Project, procured from Fender an Arctic White Standard Series Stratocaster, which he then had signed by a veritable who’s who of rock royalty. In addition to Adams himself, the guitar was eventually autographed by Clapton, Jimmy Page, Mick Jagger, Keith Richards, Ronnie Wood, Brian May, Liam and Noel Gallagher, Jeff Beck, Pete Townshend, Ray Davies, David Gilmour, Tony Iommi, Mark Knopfler, Angus and Malcolm Young, Paul McCartney and Sting.Another member of Qatar’s royal family bought the guitar from Adams at an auction in early 2005 for $270,000. Adams surprised guests at the Nov. 16 event in Doha by announcing that the original buyer was donating the instrument to Reach Out to Asia for re-auction, after which it soon reached its world-record price.“The result was overwhelming,” Adams said. “With the donation of a Stratocaster guitar from Fender and a very kind donation from Her Highness Sheihka Miyyassah Al Thani, we will finance two very important projects: the re-building and supply of equipment for a school in Thailand and the building of a village sports center to provide facilities for seven village schools in Sri Lanka. My sincere thanks to all of my fellow musicians and friends for their time, generosity and kindness.”Adams said the project was exciting and added that he is “delighted to be able to support the efforts of those involved in the Reach Out to Asia campaign.”The first concert event in the Reach Out to Asia campaign will be a performance by Adams in Doha on Feb. 1, 2006.
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